A critical notice of Carl Craver's <em>Explaining the Brain: Mechanisms and the Mosaic Unity of Neuroscience</em>.

A novel treatment of an issue central to much current work in metaphysics: the distinction between the essential and accidental properties of individuals. Mackie challenges widely held views, and arrives at what she calls "minimalist essentialism," an unorthodox theory according to which ordinary individuals have relatively few interesting essential properties. Mackie's clear and accessible discussions of issues surrounding necessity and essentialism mean that the book will appeal as much to graduate students as it will to seasoned metaphysicians.

"This work is designed to introduce some of the more important fruits of Indian Buddhist metaphysical theorizing to philosophers with little or no prior knowledge of classical Indian philosophy. It is widely known among non-specialists that Buddhists deny the existence of a self. Less widely appreciated among philosophers currently working in metaphysics is the fact that the Indian Buddhist tradition contains a wealth of material on a broad assortment of other issues that have also been foci of recent debate. (...) Indian Buddhist philosophers have argued for a variety of interesting claims about the nature of the causal relation, about persistence, about abstract objects, about the consequences of presentism, about the prospects for a viable ontological emergentism. They engaged in a spirited debate over illusionism in the philosophy of consciousness. Some espoused global anti-realism while others called its coherence into question. And so on. This work is meant to introduce the views of such major Buddhist philosophers as Vasubandhu, Dharmakīrti and Nāgārjuna on these and other issues. And it presents their arguments and analyses in a manner meant to make them accessible to students of philosophy who lack specialist knowledge of the Indian tradition. Analytic metaphysicians who are interested in moving beyond the common strategy of appealing to the intuitions of "the folk" should find much of interest here"--. (shrink)

During the last two centuries, the way economic science is done has changed radically: it has become a social science based on mathematical models in place of words. This book describes and analyses that change - both historically and philosophically - using a series of case studies to illuminate the nature and the implications of these changes. It is not a technical book; it is written for the intelligent person who wants to understand how economics works from the inside out. (...) This book will be of interest to economists and science studies scholars. But it also aims at a wider readership in the public intellectual sphere, building on the current interest in all things economic and on the recent failure of the so-called economic model, which has shaped our beliefs and the world we live in. (shrink)

Available from UMI in association with The British Library. Requires signed TDF. ;The main part of the thesis concerns how things, in the sense of individuals, might have been. The topic is what limits there are on the counterfactual possibilities for individuals: in other words, what essential properties, if any, they have. ;In Chapters 3-6 three answers to this question that have been given in recent philosophical literature are examined. They are: that each thing has a unique individual essence (...) ; that there are features of the origin of an individual without which it could not possibly have existed ; and, finally, that there are sortal concepts that represent essential properties of the things that fall under them . ;All of these answers, and many of the arguments that have been given for them, are criticised. Sometimes the criticism takes the form of pointing to unpalatable consequences that result from the acceptance of the doctrine in question. Sometimes the criticism consists in pointing to difficulties or inadequacies in the arguments that have been presented in its favour. ;A preliminary chapter prepares the ground by setting out the conceptual framework, and the chief formal characteristics, of the essentialism discussed in the later chapters. Chapter 2 discusses the nature of necessary a posteriori truth, touching on questions in the philosophy of language and mind concerning the notion of de re thought. ;It is argued that essentialism about natural kinds raises problems of its own: some of these are discussed in Chapters 7 and 8. Here the main topic is the connection between semantic theory and natural kind essentialism. Concluding that the essentialism should be regarded as in an important sense independent of semantic theory, the chapters add to, and also criticise, the work of other writers who have reached the same verdict. Scepticism is also expressed about the independent plausibility of natural kind essentialism. ;Recent interest in essentialism owes its genesis chiefly to the work of Saul Kripke and Hilary Putnam: these figures stand in the background throughout the discussion. Among the other writers whose work is discussed are Baruch Brody, Gareth Evans, Graeme Forbes, Colin McGinn, J. L. Mackie, D. H. Mellor, Nathan Salmon, and David Wiggins. (shrink)

Seeking to answer the question of what it is that nurses do, scholars researching nursing have worked with theoretical approaches ranging from the more abstract to the concrete: from philosophizing the nature of nursing to emphasizing the interpersonal nature of nursing practice to exploring processes of clinical decision‐making. In this paper, we engage with Bourdieu's theory of practice as an alternative approach that helps to understand the finer points of nurses' everyday practices of nursing as being grounded in an ontology (...) of practice. We first outline the foundations of Bourdieu's thinking as he established both a relational philosophy of science and an embodied philosophy of action to develop the theory of practice around notions of habitus, capital and field. Then, using the inter‐relationships of these key elements of the theory of practice as a ‘toolkit to think with’, we explore an instance of nursing in practice in an acute care setting and show how, in taking account of social context, the dialectics between the elements reveal the social interactions that are accomplished in the doing. Moving to the relationships of these three elements with Bourdieu's further notions of illusio, symbolic power and symbolic violence, we uncover an ontology of nursing practices in the everyday. We conclude by summarising what this ontology of practice has to offer investigations into practices of nursing in any social context. (shrink)

This volume contains eleven essays with an introduction by James Bogen. Bogen's essay is a fine overall presentation of the issues that the papers encompass, all of which arose out of a working conference on predication and the history of philosophy and science at Pitzer College in 1981. The first five essays have as their primary focus the logical theories of Plato and Aristotle. The next two essays are respectively on Ockham and Buridan with the two following on Leibniz. The (...) collection concludes with an essay by Wilfrid Sellars on his own theory of predication and an appendix on "The Third Man Argument" by Alan Code. This work thus provides a fairly well-rounded presentation of the basic logical issues that have concerned several major philosophers from ancient times through the medieval period to the present. (shrink)

James Harold’s Dangerous Art (2020) is a provocative and stimulating contribution to contemporary debates about the relationship between art and ethics—one that, I am sure, will redirect philosophical discussion in productive and important ways. In my view, the first half of Harold’s book will prove especially useful in advancing stalled debates by shifting our focus from the ethical features of artworks themselves to how those works affect us and the role they play in our communities (p. 96). Much of what (...) Harold says strikes me as plausible and persuasive—particularly in the book’s first half, in which he focuses on the question of the ethically relevant effects of art. Therefore, in my role as critic, I will offer one suggestion for a way that Harold might refine his view on this topic—namely, by allowing that there are some cases in which what artists do in their artworks is both the proper object of ethical appraisal and closely connected to the effects their art has on us. I will then critically explore an aspect of the book that I found less convincing: Harold’s case for expressivism in Chapters 6 and 7. (shrink)

How to Do Things with Fictions considers how fictional works, ranging from Chaucer to Beckett, subject readers to a series of exercises meant to fortify their mental capacities. While it is often assumed that fictions must be informative or morally improving in order to be of any real benefit to us, certain texts defy this assumption by functioning as training-grounds for the capacities: in engaging with them we stand not to become more knowledgeable or more virtuous but more skilled, (...) whether at rational thinking, at maintaining necessary illusions, at achieving tranquillity of mind, or even at religious faith. Instead of offering us propositional knowledge, these texts yield know-how; rather than attempting to instruct by means of their content, they hone capacities by means of their form; far from seducing with the promise of instantaneous transformation, they recognize, with Aristotle, that change is a matter of sustained and patient practice. (shrink)

When you think of compassion, what comes to mind? Kindness, understanding, tenderness, empathy, maybe warmth? Compassion can be all those things - but it is much more. Drawing on his many years of experience as a clinical psychologist and researcher, Dr James Kirby brings together hard science and real-life examples to offer a guide to a more compassionate life and society. Kirby debunks the myth that compassion is simple a feeling and shows us how it is a motivational force (...) that can shape our behaviour and relationships with each other and the world. He considers how it might help with self-criticism, parenting and grief, and he explores what part artificial intelligence might play in a compassionate future. In this engaging and timely book, Kirby traverses philosophy, psychology and pop culture to show how we can choose compassion to make our lives healthier, happier and more meaningful. (shrink)

Publishers love titles that begin How or Why. Better still, How and Why, combining edification with utility. The target group is that overlap between the self-help audience and the idly curious—which is to say, most of us. And since emotions are very much about self-help and self-harm, they offer rich pickings in a burgeoning market. Flanagan's How to Do things with Emotions is a philosopher's take on moral emotions, the allusion to J. L. Austin's How to Do Things (...) with Words chiming with the self-help milieu. Reviewing cases, Flanagan points out that most scientific work in this field derives from experiments on psychology students, about as unrepresentative a slice of humanity as you could find. For Flanagan, they are too WEIRD (Western, Educated, Industrialized, Rich, Democratic) to tell us much about the non-weird majority. To learn to “do emotions better,” he argues, we have to look farther afield. Although the emotional lives of cultural others are surely different from those taking Psychology 101, at some functional level they might be similar. Work out the conceptual logic and practical rationale of culturally elaborated emotions—Minangkabau “shame,” Ifaluk “righteous anger,” American “road rage”—and there is scope for comparison. Indeed, anthropology has shown as much, and it is from anthropology that Flanagan takes his cues. To mention two famous cases, what can we learn about anger management from Utku igloo-dwellers and Ilongot headhunters? Mutually dependent for survival in their snowy isolation, the Utku cannot risk getting angry. (They mercilessly tease their children into learning the futility of anger.) In the jungles of Luzon, Ilongot youths cast away their anger in externally directed violence: headhunting as cathartic sport. We can think of parallels closer to home.Flanagan's vigorously argued book, a tour de force of its kind, is both an anatomizing of anger and shame—two moral emotions we tend to “do badly”—and a proposal to “change how we do these emotions.” Indignation is fine, but anger that is vengeful or “pain-passing,” rather than righteous, is irrational and socially harmful. Shame can be incapacitating and cruel (the undeserved burn of a Twitter pile-on). What we need is reflective anger directed at injustice and a “mature sense of shame” that reminds us of the social contract and stops us misbehaving.In its How-and-Why format, the book combines theory and practice, metaethics with moralism. Here is how a prof should do self-help. But if the diagnosis is well made, the remedy is hard to imagine. As Flanagan recognizes, moral sentiments and practices are embedded in intricate forms of life and not readily detachable. Anger Utku-style is not a transferable skill, nor are educative routines forged in social ecologies remote from our own. Lacking serviceable models, Flanagan falls back on the anthropological justification that knowledge of cultural diversity expands our sense of human possibility, of other roads taken. In a globalizing world, difference is its own reward. For me, an anthropologist, that maxim is enough. Yet difference bedevils comparison, jinxing the units, warping criteria. Most languages lack a word for emotion or an equivalent umbrella concept; nor do emotion words translate well across languages. Emotion may be an incoherent notion, or at best a heuristic.Flanagan's use of the WEIRD tag makes things a bit too easy. Does it cover farmhands and factory workers? Are we so democratic, anyway? More damagingly, a typological approach blurs the circumstances of family, community, and biography that define an emotional episode and shape its phenomenology, the way it is felt and experienced—what a violent outburst or fearful exit means in the context of a life. Take Joseph Conrad's Lord Jim, who flees a scene of failure and derails his life. It requires a long narrative to unravel the implications of his jumping ship and the paralyzing shame he experiences before the judgment of society. Or consider the scene in Anna Karenina in which the dignified and self-important Karenin, apprised of Anna's adulterous liaison, agonizes over the threat to his existence. To call his response jealousy would not scratch the surface. Characteristically for Tolstoy, the emotions go unnamed. Instead, we witness Karenin's fervid deliberations (emotions involve thoughts), vacillations (emotions have action tendencies), anguished calculations of impending scandal (emotions are appraisals), and bodily changes (emotions are cognized feelings). We shudder at the brutal metaphors through which he grasps his predicament and its cure: like rooting out a bad tooth, he decides. That welter of particularities escapes the theorist who needs clear-cut, comparable units, formulaic instances of jealousy or anger. But what are you left with if you omit the details? What would remain of Karenin's existential crisis?The novelist's privileged access to subjectivity is, of course, unavailable to the scientist, but the larger context of plot and character—a history of relations that gives emotional episodes their shape and power—has its analog in the ethnographic domain. Emotions are public as well as private events, their meanings and effects depending on a fit with social reality, a clash of perspectives. In thought and feeling, we are never really alone. All of which suggests that narrative, fictional or nonfictional, can capture the ongoing moment in a way that eludes other methods. If what we are after is living emotion, it is the movie, not the snapshot, that surely matters. No point in comparing “emotions” no one ever really experienced outside of an experiment.But there's the rub. In generalization—the goal of emotion theory—an emotion's social meaning, personal significance, pragmatic function, and narrative context get stripped out. All that makes it what it is! Even in doggedly empirical anthropology, detailed emotional episodes are rare (Jean Briggs's Utku ethnography Never in Anger, published in 1970, is still unsurpassed). Instead we get recollections and summary examples, lacking the constitutive detail, real-time evolutions, and consequences of the real thing. Yet these must serve for comparison, fodder for countless theoretical speculations. Are we at risk of analyzing faux emotions and building theories on cardboard constructions?An empty Arctic stage, a handful of characters, life simplified to survival: Briggs is a hard act to follow. Bare life does not make for basic emotions. On the white set, emotions prove hard to parse. That gruff hesitation, that flashing glint—are they tokens of anger? Empathy will not suffice. As Briggs shows, narrative context is all. And in our more cluttered emotional worlds, the value of backstory, interwoven biographies, and emotional plots is all the greater. Flanagan is right; we must do emotions better. (shrink)

A “post-work world” can mean a couple of things. First, it can mean a world where we attach less importance to work, restructure work so that tasks and authority are distributed more equitably, and otherwise decenter and reform the world of work. Second, it can mean a world where people are no longer working because robots, artificial intelligence, and other forms of automation have replaced humans and there are no longer enough jobs for everyone. This (...) paper is about the second kind of world, and how to support the workers it leaves behind. -/- Automation has always eliminated jobs, but in the past new jobs have appeared to replace them. This may be changing. Thanks to recent advances in automation, machines and software can now do an increasingly large percentage of the tasks that humans do. “Technological unemployment” is what happens when automation can do so many different tasks that new jobs do not appear in sufficient numbers to employ everyone (Keynes 1932). In short, automation may soon leave a very large part of the potential workforce permanently unemployed, leading to a social, political, economic, and humanitarian crisis. For ease of reference, I refer to the technologically unemployed as being displaced from the economy. -/- The displaced need incomes. One obvious source of funds is the money saved through technological unemployment. On the scale of an entire economy, technological unemployment increases the labor savings from automation, for in addition to the usual labor savings from automation, there is less of a need to pay new workers, for there are fewer new jobs. I call this money the displacement gain. This is money that becomes available precisely because technological unemployment has occurred. It is important to understand that the displacement gain is not the same thing as the profit that results from gains in productivity. Automation does not necessarily produce displacement but it does produce gains in productivity, and the profits from gains in productivity occur even when no one is displaced. A productivity gain does not become a displacement gain until technological unemployment occurs. -/- The core of this paper is a set of arguments that the displacement gain is not the private property of businesses or those who have ownership interests in businesses (I refer to both groups as “capitalists”), nor is it the private property of those lucky enough to still have jobs. For these and additional reasons, the displacement gain is collective property in which every person has an equal interest. Moreover, it is a kind of collective property that has been largely overlooked. (Better-known forms of collective property include the natural world and “social capital.” ) As far back as Thomas Paine (1796), many thinkers have argued that, because we all have equal interests in collective property, it should be distributed to everyone, working or not, rich or poor, as equal and unconditional basic incomes. The displacement gain is a new kind of collective property which can fund basic incomes, and those incomes can support the displaced. That’s how to pay for a post-work world. -/- However, I will argue, in order to distribute those funds equally we must pay unequal basic incomes, for those who are technologically unemployed bear a larger share of the burden involved in creating that collective property, and therefore deserve larger basic incomes to offset their larger burdens. My discussion of this leads to a possible solution to a problem that bedevils basic income proposals: how to prevent businesses from, in effect, appropriating basic incomes from their employees by simply paying them less, using basic incomes as a payroll subsidy . (shrink)

Professor J. L. Austin published only reluctantly during his life time so that we are getting much of his major work after his death. I think this an enormous pity as there would be much to be learned from his answers to the criticisms which have already been given to his books by critical reviewers. I differ from many of the reviewers in that I think How To Do Things With Words is one of the most important books, (...) if not the most important, to come out since Wittgenstein's Philosophical Investigations. Like the Investigations, to a superficial glance it exists in isolation. That is, in it there is little discussion of current or traditional philosophical problems and the application of what is said to these problems is a matter, in large part, for the reader. The book itself consists in a set of relatively simple sentences, almost all of them about some aspect of the English language; it therefore represents not so much a problem of interpretation as the problem of which way up we shall look at it. The obvious way to look at it, the way Austin explicitly offers us, is as the Pursuit of the Performative. For reasons I shall give later, I do not think this is the best way to look at it but it is the way with which I shall start. (shrink)

Discussing the workings of technology in care as aesthetic rather than as ethical or epistemological interventions focusses on how technologies engage in and change relations between those involved. Such an aesthetic study opens up a repertoire to address values that are abundant in care, but are as yet hardly theorized. Kamphof studies the problem that sensor technology reveals things about the elderly patients without the patients being aware of this. I suggest improvement of these relations may be considered in (...) aesthetic terms, for instance by developing the affective quality of people’s technological relationships. (shrink)

This work is a detailed analytical study of different forms of silent doing. It explores a range of topics related to silence, including the theory of silent doing and its relationship to other forms of action and communication, silence and aesthetics, the ethics and politics of silence, and the religious dimensions of silence. The book, as an original contribution to analytical philosophy, should be of interest to philosophers and students. ".

The article reconstructs three key concepts of Hans Vaihinger: the idea of mental fictions as self-contradictory, provisory, conscious, and purposeful; the law of the devolution of ideas stating that an idea oscillates between dogma, hypothesis, or fiction; and the underlying assumption about human consciousness that the psyche constructs thoughts around perceptions like an oyster produces a pearl. In a second, constructive part, these concepts are applied in a discussion of John Searle’s social ontologically extended theory of speech acts. The article (...) introduces the Vaihingerian as-if to Searle’s account of declarations. The explanatory work in a model of social reality as Searle has proposed it rests on the ability to show a necessary connection between collective and individual intentionality facilitated through linguistic structure. The methodological individualism of the model requires that motivational assumptions about collective structures be realized in individual brains. The as-if stance of the declarer provides just this connection. (shrink)

In this essay the author argues that an ontological problem of a work of art, one of the long-standing problems of the philosophy of art, is merely an apparent one. The author argues that it in fact comprises two particular, different problems. The first is the question of how the thing being described in aesthetic terms exists, whether the aesthetic and physical description of a thing are so different, indeed disparate, that they cannot – as some philosophers of art (...) assume – relate to the same thing. The second problem is the question of how a work of a multiple art can exist, whether we can identify it with the individual act of performing or using this work. The first problem, argues the author, stems from the erroneous assumption that the disparateness of the aesthetic and physical description of a thing leads to the conclusion that the object of aesthetic description must exist differently from the way a physical description exists. The second problem emerges from a lack of understanding of how we use the term “work of art,” when we use it for a work of multiple art. The author also criticizes simultaneous attempts by Arthur Danto and Joseph Margolis, two leading philosophers of art, to solve the ontological problem of the work of art. (shrink)

We confront the following popular views: that mind or life are algorithms; that thinking, or more generally any process other than computation, is computation; that anything other than a working brain can have thoughts; that anything other than a biological organism can be alive; that form and function are independent of matter; that sufficiently accurate simulations are just as genuine as the real things they imitate; and that the Turing test is either a necessary or sufficient or scientific procedure (...) for evaluating whether or not an entity is intelligent. Drawing on the distinction between activities and tasks, and the fundamental scientific principles of ontological lawfulness, epistemological realism, and methodological skepticism, we argue for traditional scientific materialism of the emergentist kind in opposition to the functionalism, behaviourism, tacit idealism, and merely decorative materialism of the artificial intelligence and artificial life communities. (shrink)

When we talk about dialogue, we always start looking for ways to best present the content of our speech. Approaching another through dialogue does not seem to care too much about the will or desire to accept the otherness for dialogue even if this is the basis of the binary formula of dialogue. Yet, in the case of religious dialogue, things are not at all so clear or proactive; instead, this (accepting otherness) is usually the central issue of interreligious (...) dialogue. However, when we finally manage to bring together two or more religious representatives for dialogue, the most intriguing aspect of the dialogue is less emphasized on the content and issues to be brought to the attention of the participants and more on the issue of accepting, tolerating all others’ traditions through this dialogue. Nervousness, anxiety, discomfort, and squirming are the habitual and, even more shocking, "expected" features in interfaith dialogue. Well, if this is the main problem in interfaith - being able to bring acceptance in this "toxic" environment - then this would be a step forward. But probably all these are since, at present, the construction of interreligious dialogue is still in progress, about to be polished and become a formal custom, an emerging tradition of the current era. However, is the content that all participants in the interfaith dialogue bring, our particular traditions, to blame for this challenge? Can they help us build the bridge or, on the contrary, put interfaith in a limbo state, waiting for a redeemer? To pinpoint the direction in which interreligious dialogue is heading, we must better evaluate and understand a "tradition", what it is, how it works, and why it is developed and preserved. What is the significance of a tradition for people in general and a religious group in particular? How deeply rooted is it in human thinking and how valuable to fight for it? And then, can we consider changing, altering, or even removing a whole tradition from our perspective? If so, [regardless of the response] what is then the impact of [any] tradition on us and our reactions to the current issues, therefore to human endeavor? This article illustrates the role that tradition plays in peoples' views of the world and how tradition influences their behavior and attitudes toward certain practices and against a current acquisition of interreligious relationships, namely interreligious dialogue. (shrink)

There have been numerous studies on Kant’s concept of the ‘Fact of Reason’, drawing on various intellectual resources, ranging from metaphysics to psychology, from Aristotle to Mencius, from analytic philosophy to phenomenology, and beyond. How should we evaluate these studies? Is it possible that these studies can contribute both to an understanding of Kantian philosophy and to an understanding of Western philosophy as a whole, as well as shed light on the development of philosophy after Kant and on the philosophical (...) questions of our own era? In order to at least partially clarify the above questions, this article will draw on the work of philosohers such as Karl-Otto Apel, Jürgen Habermas, C.I. Lewis, Jin Yuelin and Feng Qi, and discuss how certain presuppositions of communicative action can be both regulative and constitutive, how the same propositions can be both empirical and a priori, how the same concepts can both describe reality and regulate it, and how the ‘Fact of Reason’ can be understood as the ‘Fact of Learning’, in order to offer a new interpretation of Kant’s concept of the ‘Fact of Reason’. (shrink)

What are musical works? How are they constructed in our minds? Which material things allow us to speak about them in the first place? Does a specific way of conceiving musical works limit their performative potentials? What alternative, more productive images of musical work can be devised? 'Virtual Works--Actual Things' addresses contemporary music ontological discourses, challenging dominant musicological accounts, questioning their authoritative foundation and moving towards dynamic perspectives devised by music practitioners and artist researchers. Specific attention is (...) given to the relationship between the virtual multiplicities that enable the construction of an image of a musical work and the actual, concrete materials that make such a construction possible. With contributions by prominent scholars, this book is a wide-ranging and fascinating collection of essays, which will be of great interest for artistic research, contemporary musicology, music philosophy, performance studies and music pedagogy alike. (shrink)

To be successful, collaboration at work requires its participants to have a common sense about what is happening and where things are heading. But how can collaborators have such a sense in common if what is going on continuously changes? This study investigates the joint communicative work participants in collaborative activity do to remain aligned on how things are going and where things are at for the purpose of maintaining a ground in common. Our test (...) case for illustrating this joint work is the fluid and constantly changing world of software development. Our study uses a transactional approach to show how software developers working together continuously make available what they are attuned to, which constitutes their common ground that allows actions and talk to make sense. The common ground enables a common, inherently shared sense of what is happening and how things are going. Rather than having “meaning” in themselves, signifiers (words, gestures, body movements, cursor movements) create and are part of the common ground against which they make sense. Signifiers are motivated by and produce an accented visible that is available to all group members; and this accented visible (including the signs) makes for the common ground. (shrink)

Understanding the social bases of what John Rawls meant by justice requires understanding a central part of Rawls’s professional life: his role as a teacher. As this essay shows, Rawls’s approach to teaching was not ancillary to his approach to heady philosophical issues like the justification of moral reasoning. Rather, there’s an ethic that runs through Rawls’s work, one focused on deliberation and consensus-seeking, and one whose strengths and weaknesses are easiest to see when you examine his teaching.

In the first part of the paper, previous work about embodied mathematics and the practice of topology will be presented. According to the proposed view, in order to become experts, topologists have to learn how to use manipulative imagination: representations are cognitive tools whose functioning depends from pre-existing cognitive abilities and from specific training. In the second part of the paper, the notion of imagination as “make-believe” is discussed to give an account of cognitive tools in mathematics as props; (...) to better specify the claim, the notion of “affordance” is explored in its possible extension from concrete objects to representations. (shrink)

The article reconstructs three key concepts of Hans Vaihinger: the idea of mental fictions as self-contradictory, provisory, conscious, and purposeful; the law of the devolution of ideas stating that an idea oscillates between dogma, hypothesis, or fiction; and the underlying assumption about human consciousness that the psyche constructs thoughts around perceptions like an oyster produces a pearl. In a second, constructive part, these concepts are applied in a discussion of John Searle’s social ontologically extended theory of speech acts. The article (...) introduces the Vaihingerian as-if to Searle’s account of declarations. The explanatory work in a model of social reality as Searle has proposed it rests on the ability to show a necessary connection between collective and individual intentionality facilitated through linguistic structure. The methodological individualism of the model requires that motivational assumptions about collective structures be realized in individual brains. The as-if stance of the declarer provides just this connection. (shrink)

A new book by Zenon Pylyshyn is always a cause for celebration among philosophers of psychology. While many hard-nosed experimental cognitive scientists are attentive to philosophers’ concerns, Pylyshyn stands alone in the extraordinary efforts he takes to understand, address, and struggle with the philosophical puzzles that the mind, and perception in particular, raises. Pylyshyn’s most recent work, Things and Places: How the Mind Connects with the World, does not disappoint. It is philosophically rich. Indeed, the approach to object (...) perception that Pylyshyn develops in this book takes inspiration from Evans’s (1982) and Perry’s (1979) work on demonstratives and indexicals, draws on Dretskean (1981, 1986, 1988) ideas about representation, and tangles with Strawson (1959), Quine (1992), and Clark (2000, 2004) over how to understand the role of concepts in perception. In short, it is just the kind of book philosophers of psychology should lavishly slather with clotted cream and joyously devour at their next tea party. The main focus of this review will be Pylyshyn’s theory of FINSTs (an acronym for Fingers of INSTantion, for reasons to be soon clarified). FINSTs are the primary subject of the first three chapters of Things and Places, after which they basically disappear for about eighty pages, to reappear in the final and lengthiest fifth chapter, where they are put to use in a speculative (and, to my mind, slightly incredible) explanation of data from mental imagery experiments. The fourth chapter is an engaging polemic against using subjective experience as a source of evidence about psychological processing and, in particular, the danger in assuming that because mental images appear to have spatial properties, they must be represented spatially. This chapter stands alone and would be of interest to followers of the imagery debate or, for that matter, to instructors looking for counter-examples when.. (shrink)

We have become estranged from the cosmic movements, according to Bataille. We are confined by the error linked to the representation of ‘the stationary earth’. We have negated the immersive immanence of the whole and made nature into a fixed world of tools and things. How then do we recognise ourselves as part of the ‘rapture of the heavens’? Bataille urges us to consider life as a solar phenomenon, the free play of solar energy on the earth. This paper (...) argues how Bataille’s cosmic vision anticipates both planetary and ecological thinking. This entails a base materialism of difference based on a radical Nietzschean and Heraclitean theory of becoming and flux. This thought is developed along Bataillean concepts such as the movement of the whole, the labyrinthine, and compound beings, ipseity, as well as the concept of a communifying movement. This materialism paired with Vladimir Vernadsky’s biosphere lays the foundation for the laws of the general economy, which also constitutes an economy inclusive of a general ecology: a tragic vision of Gaia and Dionysos. Finally, poetry is considered, as a way we might reconnect with the universe and stimulate ecological imagination. (shrink)

This essay is a contribution to social ontology, drawing on the work of John Searle and of Hernando de Soto. At the center of the argument is the proposition advanced by de Soto in his Mystery of Capital to the effect that many of the entities which structure our contemporary social reality are entities which exist in virtue of the fact that there are (paper or digital) documents which support their existence. I here develop de Soto’s argument further, focusing (...) specifically on the ontological problems raised by a family of new types of social phenomena – exemplified most dramatically in the domain of finance for example in the form of what are called ‘structured investment vehicles’ – made possible as a result of the employment of computer technology in entity creation. I address also Searle’s most recent work on social ontology, and conclude with an appendix on the theory of documentality advanced by Maurizio Ferraris. (shrink)

I want to begin by saying that the terms of reference of this series of lectures grated on me, in particular, the word ‘power’. One thing it conjured up was the criticism made by people who say we use our power over our patients to brainwash them, that the psychotherapeutic relationship is inescapably authoritarian, domineering, coercive. This was widely said in the sixties by leftist and feminists and others who sought a therapeutic relationship that was more equal, co-counselling, for example, (...) where the client and the therapist took turns exposing their problems. In my experience, most people who took up that position eventually saw the merits of relatively orthodox psychotherapy, and many have trained in conventional psychodynamic psychotherapy. I asked my partner, who is also a psychoanalytic psychotherapist, what the term power conjured up for her and got an uncharacteristically sharp response. She said, ‘I hate that word. It’s used by humanistic therapists who are afraid of authority, difference and knowledge and want us all to be the same. It’s like saying colour doesn’t matter. They confuse the abuse of power with the use of power. They assume that all exercise of power is abusive.’. (shrink)

An influential version of intellectualism about knowledge how holds that acquiring facts is necessary and sufficient for learning how to do things. I argue that such a view is incompatible with learning to do things through effort and practice, which suggests that intellectualists don’t have a coherent way to explain the role of work in our acquisition of knowledge how. By way of an alternative, I argue that work serves to establish patterns of thinking that coordinate (...) propositional truths with powers of action. (shrink)

Unlike Western philosophers, classical Buddhist thinkers largely remained silent about socio-political issues and did not develop explicit frameworks for theorizing them. The present article reconstructs a Buddhist account of shared action based on select passages from works by the Indian Buddhist philosopher Vasubandhu. It outlines the structure of individual action, according to Vasubandhu, and identifies three conditions that need to be satisfied for a joint activity to take place. This model, I suggest, is reductive in seeing joint action as an (...) aggregation of individual actions, and it differs from Western treatments of shared agency in several respects. Primarily, Vasubandhu’s paradigm rests on an extended structure of action, it is guided by an internalist standard of moral evaluation that emphasizes the consequences of shared actions for the acting members, and it is centrally concerned with how individuals can extricate themselves from social entanglements and gain control over their actions. (shrink)

It is intriguing to think about the range of kind of things one could say with the help of words, but out of these myriad tasks philosophically the most fascinating one is to convince the other about the inefficacy of the words or language in certain domains of experiences in our lives. It is fascinating and intriguing for onesimple reason namely that in such cases language is put to a task of undoing itself and more importantly by itself with (...) the help of nothing apart from itself. (shrink)

Among the contemporary philosophers using the concept of the Anthropocene, Bruno Latour and Isabelle Stengers are prominent examples. The way they use this concept, however, diverts from the most common understanding of the Anthropocene. In fact, their use of this notion is a continuation of their earlier work around the concept of a ‘parliament of things.’ Although mainly seen as a sociology or philosophy of science, their work can be read as philosophy of technology as well. Similar (...) to Latour’s claim that science is Janus-headed, technology has two faces. Faced with the Anthropocene, we need to shift from technologies of control to technologies of negotiations, i.e., a parliament of things. What, however, does a ‘parliament of things’ mean? This paper wants to clarify what is conceptually at stake by framing Latour’s work within the philosophy of Michel Serres and Isabelle Stengers. Their philosophy implies a ‘postlinguistic turn,’ where one can ‘let things speak in their own name,’ without claiming knowledge of the thing in itself. The distinction between object and subject is abolished to go back to the world of ‘quasi-objects’ (Serres). Based on the philosophy of science of Latour and Stengers the possibility for a politics of quasi-objects or a ‘cosmopolitics’ (Stengers) is opened. It is in this framework that their use of the notion of the Anthropocene must be understood and a different view of technology can be conceptualized. (shrink)

The purpose of this work is to define performativity as a natural component of human cognition. The notion of performativity has many applications in various fields from performance studies to pragmatics, but in the recent years it has been introduced within cognitive science studies, where it is currently a subject of great debate. A working definition of performativity as a central component of the human mind that determines the relationship between the individual and the world is proposed. This definition (...) is intentionally general, because it works for every species, not only for humans. Performativity, in fact, is a capacity present in all cognitive systems that have a body because it allows the utilization of those cognitive abilities that evolutionary history has delivered to a species. The concept of performativity with a naturalistic and biologically based approach is analysed taking into account both evolutionary continuity and species-specific functions. In conclusion, an application of the natural performativity of language, a uniquely human function characterized by species-specific morphological structures that constitute constraints for language performativity, is proposed. (shrink)

Whilst the concept of causal powers is central to much post-positivist social science in general, and to critical realism in particular, it has not been significantly developed by critical realists since the initial work of Harré and Madden and Bhaskar in the mid-1970s. To deepen our understanding of powers we need to start with a ‘package’ of related terms. In §1 of the paper I introduce this package, clear up some terminological ambiguity and inconsistency, and focus the discussion upon (...) things, properties and powers. The real problems begin when we try to figure out how things, properties and powers relate to one another. In §2 I introduce and evaluate three possible ontologies: an ontology where powers are primary; an ontology where properties are primary; and an ontology where neither properties, powers are primary, but all emerge to form a unity. The last ontology is defended. §3 deals with ambiguities surrounding three other terms that often crop up when discussing powers, namely, dispositional properties, transfactuals and processes. The net result is a far less ambiguous concept of powers, firmly anchored in an ontology of things, properties and powers as a unity. (shrink)

What is this thing called literature? What is the point of studying literature? How do I study literature? Relating literature to timeless topics such as dreams, politics, life, death, the ordinary and the crazy, this beautifully written book establishes a sense of why and how literature is an exciting and rewarding subject to study. Bennett and Royle delicately weave an essential love of literature into an account of what literary texts do, how they work and what sort of questions (...) and ideas they provoke.The book's three parts reflect the key components of studying literature: reading, thinking and writing. Part One comprises short chapters on reading a poem, reading a novel, reading a story, and reading a play. Part Two considers what thinking is, especially in relation to critical thinking and thinking about literature. Part three includes practical chapters on writing an essay, creative writing, and writing fiction. The authors use helpful, familiar examples throughout and offer brief reflections on questions such as 'What is literature?', on 'English' as a war zone, on crisis management and literary criticism, on dictionaries and on what the authors call creative reading. Bennett and Royle's lucid and friendly style engages and encourages personal experience of this thing called literature. (shrink)

This chapter uses the patterns of inference that the authors find in the history to understand how photography can be practiced as an art. The history contains the makings of some sophisticated reasoning for the skeptical claim that photography is not an art. The argument for skepticism about photographic art brings on questions about the nature of photography and when it is an art. Purity is a tool designed to sharpen the question of whether photographs can be works of art (...) by nature. The nature of photography is depiction by belief‐independent feature‐tracking. Belief‐independent feature‐tracking is incompatible with depictively expressed thought. Photography is a signaling system wherein individual photographs are cues to the appearance of depicted scenes. Drawing is another signaling system of the same type, since drawings also cue the appearance of depicted scenes. Unlike drawings, though, photographs are reliably honest signals. (shrink)

What exactly are the reasons we do things, and how are they related to the resulting actions? Bittner explores this question and proposes an answer: a reason is a response to that state of affairs. Elegantly written, this work is a substantial contribution to the fields of rationality, ethics, and action theory.

Cecilia Sjöholm reads Hannah Arendt as a philosopher of the senses, grappling with questions of vision, hearing, and touch even in her political work. Constructing an Arendtian theory of aesthetics from the philosopher's fragmentary writings on art and perception, Sjöholm begins a vibrant new chapter in Arendt scholarship that expands her relevance for contemporary philosophers. Arendt wrote thoughtfully about the role of sensibility and aesthetic judgment in political life and on the power of art to enrich human experience. Sjöholm (...) draws a clear line from Arendt's consideration of these subjects to her reflections on aesthetic encounters and works of art mentioned in her published writings and stored among her memorabilia. This delicate effort allows Sjöholm to revisit Arendt's political concepts of freedom, plurality, and judgment from an aesthetic point of view and incorporate Arendt's insight into current discussions of literature, music, theater, and visual art. Though Arendt did not explicitly outline an aesthetics, Sjöholm's work substantively incorporates her perspective into contemporary reckonings with radical politics and their relationship to art. (shrink)

This paper explores how diversity is used as a key term to describe the social and educational mission of universities in Australia. The paper suggests that we need to explore what diversity ‘does’ in specific contexts. Drawing on interviews with diversity and equal opportunities practitioners, the paper suggests that ‘diversity’ is used in the face of what has been called ‘equity fatigue’. Diversity is associated with what is new, and allows practitioners to align themselves and their units with the existing (...) values of their universities. However, given this, diversity can mean potentially anything: and practitioners have to re‐attach the term ‘diversity’ to other more marked terms such as equality and justice if it is to ‘do anything’. The paper explores the appeal of diversity, the strategic nature of diversity work, and the role of commitment, leadership and training. It also offers some more general reflections on how language works within organisations by showing that words, although they do things, are not finished as forms of action: what they do depends not only on how they are used, but how they get taken up. (shrink)

"Permanent Things reminds us that some of the century's most imaginative minds - G. K. Chesterton, T. S. Eliot, C. S. Lewis, Dorothy Sayers, and Evelyn Waugh - were profoundly at odds with the secularist spirit of the age, seeing progressive enlightenment as ushering in, not a millennium of perfect freedom, but a Waste Land whose inhabitants - Waugh's "vile bodies," Eliot's "hollow men," Lewis's "men without chests" - can find refuge from their boredom and anomie only in the (...) ceaseless acquisition of things or in the consoling illusions of pseudo religions - "distracted from distraction by distraction," as Eliot memorably put it." "How does one explain the desolation of a world which, though richly endowed with material comforts, is mentally and spiritually impoverished? The essayists here are united, as were their subjects, by a need to try to answer this question. Modern man's poverty of spirit, visible alike in so much of his art and architecture, his literature and philosophy and political science, reflects his loss of any good reasons for living - his loss of the Permanent Things." "The Christian writers whose work is eloquently interpreted in this book repay our attention for at least two reasons. First is their ability to sharpen our awareness of what, by any previous civilized standards, must be called the abnormal condition of modern man. For all the writers treated in this book, it was never enough to simply capture the spiritual aridity of modern life. It was also necessary to speak of a moral order that may yet be restored by the expressive power and beauty of the written word."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. (shrink)

At a time when the analytic/continental split dominates contemporary philosophy, this ambitious work offers a careful and clear-minded way to bridge that divide. Combining conceptual rigor and clarity of prose with historical erudition, A Thing of This World shows how one of the standard issues of analytic philosophy—realism and anti-realism—has also been at the heart of continental philosophy. Using a framework derived from prominent analytic thinkers, Lee Braver traces the roots of anti-realism to Kant's idea that the mind actively (...) organizes experience. He then shows in depth and in detail how this idea evolves through the works of Hegel, Nietzsche, Heidegger, Foucault, and Derrida. This narrative presents an illuminating account of the history of continental philosophy by explaining how these thinkers build on each other's attempts to develop new concepts of reality and truth in the wake of the rejection of realism. Braver demonstrates that the analytic and continental traditions have been discussing the same issues, albeit with different vocabularies, interests, and approaches. By developing a commensurate vocabulary, his book promotes a dialogue between the two branches of philosophy in which each can begin to learn from the other. (shrink)

My goal here is to explore the relationship between pure and applied mathematics and then, eventually, to draw a few morals for both. In particular, I hope to show that this relationship has not been static, that the historical rise of pure mathematics has coincided with a gradual shift in our understanding of how mathematics works in application to the world. In some circles today, it is held that historical developments of this sort simply represent changes in fashion, or in (...) social arrangements, governments, power structures, or some such thing, but I resist the full force of this way of thinking, clinging to the old school notion that we have gradually learned more about the world over time, that our opinions on these matters have improved, and that seeing how we reached the point we now occupy may help us avoid falling back into old philosophies that are now no longer viable. In that spirit, it seems to me that once we focus on the general question of how mathematics relates to science, one observation is immediate: the march of the centuries has produced an amusing reversal of philosophical fortunes. Let me begin there. In the beginning, that is, in Plato, mathematical knowledge was sharply distinguished from ordinary perceptual belief about the world. According to Plato’s metaphysics, mathematics is the study of eternal and unchanging abstract Forms,1 while science is uncertain and changeable opinion about the world of mere becoming. Indeed, in Plato’s lights, of the two, only mathematics deserves to be called ‘knowledge’ at all! Of course if sense perception cannot give us knowledge, if mathematics is not about perceivable things, then Plato owes us an account of how we ordinary humans achieve this wonderful insight into the properties of the abstract world of Forms. Plato’s answer is that we do not actually acquire mathematical knowledge at all; rather, we recollect it from a time before birth, when our souls, unencumbered by physical bodies, were free to commune with the Forms, and not just the mathematical ones, either – also Truth, Beauty, Justice, the Good, and so on.2 Whatever appeal this position may have held for the ancient Greeks, it will not begin to satisfy a contemporary, scientifically minded philosopher.. (shrink)

This article is a response to Nancy Bauer's How To Do Things with Pornography. The main argument of the book is presented and evaluated. In particular, Bauer's criticisms of Catharine MacKinnon's work on pornography are considered and a defense of MacKinnon's views offered.

There is a lot of material in this book, and Duff handles most of it very well. It is unfortunate that he felt the need to tie his discussion of serious philosophical questions in the criminal law to larger overarching questions of philosophy. It is possible that current conceptions of intentional action implicate dualism (or Dualism), I suppose, but that would be a book-length discussion all of its own. It would begin with a careful discussion of just what dualism is, (...) and would track down the various ways in which particular substantive positions on intentional action rule out alternatives to dualism. Such a work might be interesting indeed. It would be interesting, for example, to see a discussion of a type of conceptual dualism that I suspect Duff would find congenial: a dualism that insisted upon the autonomy of purposive notions and rejected the causal analysis of intentional action. Would that sort of dualism make any difference at all for the criminal law? It might, and it might not. But in any event that is not what we find in this book, which, for all of its healthy enthusiasm for the place of philosophy in the law shows an excessive tolerance for makeweight arguments about the great questions. (shrink)

This work is a collection of contributions by different European authors discussing the work of US-American philosopher-theologian John D. Caputo. Though Caputo is by now a well-known figure in the USA, reception of his work in European academic contexts varies widely from place to place. This volume thus brings together fourteen theologians and philosophers in or from Europe to “gather Catholic and Protestant voices around Caputo’s work to evaluate the match with the European context” and, in (...) so doing, “add to the European reception of Caputo’s radical theology” (1–2). Some might wonder if Caputo, though clearly a leading contemporary thinker, quite lends himself to this kind of reading as a “primary”. (shrink)